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On this episode of Video Free Skaro, not only do we have an interview with noted Doctor Who and Y the Last Man artist Pia Guerra, not only do we have a profile of the Myrka, the most despised villain in all Whodom, but we also have action figures making out. Yep, you read that right.

http://www.freyburgmedia.com In this episode of Platformer, Chelsea brings you the latest news, and we also have a review of the Cisco e4500 wireless router, along with an interview with Sheryl Connelly from Ford Motor Company about the technology in the new Lincoln models.

As always, please give us your comments and be sure to subscribe to our channel!

A new Platformer, and a new host! Chelsea Altice takes over from Warren to give us the news and generally make the show better. We also have an interview with Atimi software about their Vancouver Canucks app, which gives hockey fans constant updates, behind the scenes videos and access to interactions with fellow fans. And just so you have answers for your grandmother when she signs up for Instagram, we have a walkthrough of the basic features of the app. Enjoy!

On this episode of Video Free Skaro, we cover the latest news in the world of Doctor Who, share some of our exclusive interview with Louise Jameson, also known as the savage Leela, and review Doctor Who: Worlds in Time, the MMORPG set in the Whoniverse.

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Welcome to the second episode of the Platformer Show, all about the tech we use to work, play and create. In this episode we review the Kindle Touch and Swordigo, a new hack and slash game for the iPad and iPhone, as well as covering this week’s tech news.

We’d love to hear your suggestions for future shows, and make sure to subscribe to our Youtube channel.

Following up on my previous Portal posts, here’s Escape from City 17 part 2, a Half Life which boasts a city in ruins, striders, zombies, headcrabs and more. THe creators of this film claim they spent less than $1,000, which sounds doubtful given what’s on screen.

I’ve just come back from a four month sojourn in Japan and China, and a pleasant side effect of this trip was a break from North American media. I say that, but I had pretty much unbroken contact with any media I decided was worth watching, I simply didn’t access it through traditional means.

Japanese television, despite its charming commercials and genuine enthusiasm for the absurd, was nothing I could watch consistently. Instead I relied on downloads and streaming media, sometimes through a VPN connection. The VPN allowed me to access American sites like hulu.com along with the UK iPlayer app, all by telling these services that I’m actually in their country of origin.

In China this solution was less effective for streaming media, because China’s internet is slooooow. But since a VPN was an absolute necessity to access Facebook, Twitter, anything hosted by WordPress and practically anything else China’s Internet censors whimsically decided wasn’t harmonious, I didn’t feel cheated.

Now that I’m back home the VPN is the cornerstone in my plan to cut cable television out of my life. Since I can watch BBC shows live or on demand, and since I’ve just discovered a pile of great documentaries and indie films on Netflix.ca, I don’t really feel any need to watch the paltry offerings available through Canadian broadcasters.

In effect, this move to on demand media is no different than my shift away from radio a few years ago. The only radio I listen to anymore is courtesy of the CBC Radio app on my iPhone. Local radio is completely irrelevant to me, supplanted by podcasts about topics ranging from the Mac to the media to video games to philosophy.

I’m an outlier. But it’s only a matter of time before more people take the same step. More and more people are perfectly comfortable with watching films on their laptop and short videos on their phones. Being in Canada may actually accelerate this process for many people, because Canadians are online more than anyone else in the world, and because our old media dinosaurs are hell-bent on keeping the public from watching anything they actually want to see and would rather fight tooth and nail for their obsolete business models. Canadians are savvy enough to work around these arbitrary restrictions, and one way or the other I’m sure we’ll see a dramatic decrease in cable subscriptions in the next few years.

In the meantime, I’ll continue to save money and enjoy great content. I don’t think I’ll miss cable in the least, and I’m betting soon others will join me in cutting the cord.

Precisely none of you may be wondering how we make FruityGamer here at Freyburg Media. Well, I’m here to tell you the thinking, process and methodology I used. My methods and tools may differ from what’s available to you, but you’ll at least get a general idea as to how to pull of your own video podcasts.

When myself and my business partner made “This is Yaletown” we did so thinking the internet would soon push up its production values to the levels of television, and that we’d better be ahead of the curve. But in fact this has not proven to be the case. People watch internet shows for many reasons, but slick production values (to a point) doesn’t seem to be a necessary part of the equation.

I figured that given my experience creating Radio Free Skaro there was no reason I couldn’t create similar podcasts on video and in audio form, and do so in such a way that they’re quick and easy to make.

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Andrew Marr, host of the excellent Start the Week and former political editor for the BBC doesn’t like bloggers. While I see his point about abusive, nonsensical and and angry commenters, his outright dismissal of new media as a legitimate medium is laughable at best.

More to the point, it’s the typical elitist broadcasting reaction to a democratized media world. The playing field, while still imperfect, is much more level than ever before, and traditional broadcasters do not like the fact that they now face competition from all corners. Some of that competition is indeed “pimply, aggressive and single” but that’s always been true. The larger point is that the self-appointed position of cultural curator has been snatched from the hands of broadcasters and put into the hands of the people. It might not be pretty, but it’s reality, and no amount of bitching from upper-class talking heads will change that.

Having worked in broadcasting myself, I completely welcome this change. Broadcasting has its role and will continue to provide a valuable service, but it’s long past time we were able to create our own content, express our own opinions, and transmit our own shows. The expansion of mobile into every corner of our lives will only accelerate the process. And if Andrew Marr doesn’t like it, tough.

Max Headroom was one of the best television shows of the Eighties. In fact, it’s fair to say that Edison Carter is one of the reasons I got into television, along with Doctor Who director Graeme Harper.

Well, Wired has a tribute to our pixelated forefather, and the article makes the very good point that with the rise of Youtube, video blogging and web series we have all become Max. Everyone is a digital sound-bite, but the difference is we aren’t in thrall to all powerful television networks as portrayed in the show. Instead the internet has made everyone into a network, for good and ill.