Chris returned to the fold and lost no time flinging acerbic barbs in the direction of “The Unicorn and the Wasp,” quite possibly the low point of Season 4, and certainly a story we mostly ignored in our commentary. One can hardly blame the Three Who Rule for their disinterest, but at least there’s goings on in the Library (silent ones) to indulge in next week.
With Chris still wandering around London without anything more than a 3G iPhone, it was up to Warren and Steven to again take the helm and offer the latest morsels of news about all things Who and bloviate on the Poison Sky, the second part of the Sontaran’s return to form. Though precious little was actually aid about the episode at hand, Warren did manage to transfigure the Sontaran war cry into OBAM-HA! surely a new rallying cry for these final days of the American election campaign.
So I’ve been busy for the past couple of months with my day job, working as a writer and editor for EP Daily, the new, daily version of the long-beloved Electric Playground.Basically, I get to make stories about video games, sci-fi movies and TV, and comics, all of which makes me extremely happy. Here’s a taste of the show, which you can see on G4TechTV…
The BBC, in their infinite wisdom, decided sometimes in the late Sixties or early Seventies that they needed space for new shows in their tape library, and destroyed many of the original tapes containing Hartnell, Troughton, and even a few Pertwee stories. Despite the odd find each decade of a lost story molding away in some backwater, many of these classic Who tales are lost in the mists of time…until now.
It turns out many a fan recorded the audio from the shows as they were broadcast, so almost all the soundtracks have been preserved. But a cadre of fans spread across the globe are taking things a step further and animating the classic lost Doctor Who adventures to recreate the Doctor’s first adventures. The BBC did this officially with “The Invasion,” but as stated in the Guardian story, animating is a tremendous amount of work. Fans don’t care, though, they want their Who and they’re willing to put noses to the grindstone to get it.
Chris absconded to Las Vegas this week for liquor, gambling, and other licentious pursuits, so it was left to the other two pillars of RFS to hold the fort, which they barely managed. The subject at hand? “Turn Left,’ which served as not only this season’s “Doctor Lite” episode but also as a fantastic return to the series for Billie Piper, not to mention a sterling performance by Catherine Tate. The usual digressions and drivel-making were of course present, but without our tall co-host’s derisive sneers and seething hate, it wasn’t quite the same.
The Canadian DMCA has just been tabled by the House of Commons, and from what I can tell (gleaned from Michael Geist’s excellent blog post) it’s a complete and total ruinous mess for the future of electronic media in Canada. Let’s, just for a second, get past the spectre of evil pirates stealing content from hard-working, impoverished studios and record companies. This bill makes it illegal for anyone to transfer music they bought off a CD and onto their own iPod. It also makes it illegal to unlock an iPhone or other locked digital devices, to the tune of a $20,000 fine. So the fact that I’ve been carting around said iPhone for the last six months is apparently more important than the fact that our representatives in Parliament consort with gangster molls or that the Alberta tar sands are an ecological disaster area. No, people downloading the latest Coldplay album is what our law enforcement services should concern themselves with.
The real irony here is that the studios are the authors of their own destruction. If these laws are actually enforceable, all that will happen is that people won’t bother to watch copyrighted material anymore. The means of production are cheaper than ever, and more and more people are watching amateur video, citizen journalism and other user generated content. The drive for self-preservation will actually accelerate the decline and fall of big media, by its own hand.
And the potential damage from this bill doesn’t just affect individuals. Companies in the business of moving and storing content, like Domain7, have already expressed concerns (check their news section for their take on the bill).
What can you do to voice your concerns about this bill? Email your member of Parliament (I just did, for the very first time), join online groups like the Fair Copyright for Canada group on Facebook, and join the Electronic Frontier Foundation, the Canadian Music Creators Coalition, and other groups advocating for digital rights.
Dissent in the ranks this week, as the Third Guy forsakes a life of marital bliss with Who scribe Stephen Moffat and rips “Forest of the Dead” a new one. Steven and Warren, on the other hand, were charmed and entertained by the concluding episode of the two-parter that began with last week’s “Silence in the Library,” and thus did vigorous debate and pointless digression occur for about an hour and change.
Silence in the Library marks not only the return of Doctor Who to TV screens after a week’s absence but also easily the best episode of the season thus far. The Three who Rule waxed lyrical on the many excellent aspects of this Moffat-penned tome, speculated madly on the mysteries and plot twists sure to be answered next week, and of course digressed and went on mind-melting tangents as per usual.
With the villainy of Eurovision erasing Doctor Who from England’s screens for the week, all we were left with was a corking trailer for the second half of Season Four and the wonderful news that Steven Moffat, ace writer and life partner of the Third Guy, will take over whip cracking duties from Russell T Davies come 2010. And, as threatened last week, we actually did a commentary for “The Brain of Morbius”, one of Tom Baker’s more violent excursions from the classic series. This is by far the longest RFS we’ve ever done, so let us know by telegraph, carrier pigeon or new-fangled electronic mail if we’ve jumped the shark or whether you’d like to hear more of our extended ramblings on the Classic Series (which, given the semi-hiatus next year, you surely will in one form or another.)