Clowntown gets a new mayor! The dual CEOs at RIM are out, only to be replaced by another guy mouthing the same tired platitudes. We also cover the SOPA blackout, the Megaupload shutdown, a kerfuffle over iBooks Author, some staggering tablet statistics, and Youtube hitting 4 billion views A DAY. That’s mental.
The iCloud rises! As does the Apple TV, wifi and Canadian politicians, MTV supplanted by Youtube, and much, much more!
When I started Freyburg Media, I wanted to create videos for clients that brought TV-level quality to web video. I’ve been lucky enough to accomplish that with a couple of different projects including working with The South Granville Business Improvement Association on a number of videos. But while I love doing work for clients, I like creating original programming even more, and I think that’s where the future of online media is headed.
To that end, I spent the last couple of weeks trying to figure out how to create niche websites targeting things I’m interested in and could blog about regularly. But what I found is that while I’m perfectly comfortable zipping around FInal Cut and creating a video, all the attendant WordPress setup, ad network crafting and other bits and pieces of “making money from a website” drives me mental. It also occurred to me that while many people can and have created websites in order to bring in income, significantly less do so with video and audio (Leo Laporte and a few others spring to mind) because of the much higher barrier to entry.
Fruitygamer is my first effort to create a niche program for an online audience. Mac gaming is finally coming into its own, and the iPhone and iPad are becoming portable gaming platforms rivalling Nintendo’s dominant handhelds. It makes sense to target that audience, I think.
In the next few weeks and months I’ll be rolling out more programming, but for now enjoy the two episodes of Fruitygamer from E3. I’m looking forward to putting out more content soon.
Vancouver music legend Chris Peterson sat down for a chinwag with EVP host Jonny Vancouver to talk about his music, the internet’s effect on the music industry, and how he manages to work on multiple projects while keeping a day job. Shot with the JVC GY-HM100U, cut in Final Cut Studio, and graded with Magic Bullet Suite.
A number of big Hollywood stars have released big Hollywood films this summer which have taken big Hollywood nosedives. This downturn in the drawing power of many A-List stars is starting to worry the movie studios, and as usual they’re blaming technology. Apparently the fact that someone can text, Twitter or email their friends and give a film a scathing review in real time is a bad thing. Of course, as Gawker points out, if the movies themselves were any good this wouldn’t be a problem. I just saw District 9 on the weekend and (like everyone else) who saw it, I’ve raved up and down about the action, effects, and great story. And there’s not a star to be found in that film (which was shot for $35 million, and delivers every cent.)
Then there’s the fact that the old saw about people “escaping through movies during tough times” just doesn’t hold water anymore. That may have been true in the Thirties or even the Seventies, when the alternatives were few and far between, but nowadays people can either play video games, watch Youtube, or find any other number of free alternatives on the internet. Sure, they may not be quite as shiny as Hollywood product, but they also don’t take away $15 from your wallet and steal two hours of your life away.
Welll..no. But this guy seems to understand that changes are afoot, ones that could be potentially fantastic for Canada.
Which basically boils down to “everyone, anywhere, is now a publisher.” That sounds simple, but it’s actually a radical reconfiguration of our culture, as well as a widening of the funnel that allows ideas, memes and progress to propagate. Of course, you’ve got to choke down some idiocy while you’re at it, but that’s small potatoes considering the printing press split the Catholic Church down the middle and probably caused its fair share of wars.
Now with more swearing! And some more keen insights from the fine fellows at Tachyon TV and Podshock, as well as the Three Who Rule, at the “So You Want to Podcast Doctor Who” panel at Gallifrey 2009.
Direct download: SoYouWantToPodcastDrWho-FinalMaster-DirectorsCut.mp4
So it appears that indie filmmaking in 2008 is in dire straits. The technology to make a film has spread far and wide and the cost of making a film has plummeted, but according to Mike Curtis of HD for Indies, distribution is still next to impossible and the math doesn’t work in favor of people being able to make a living off of making movies. But…where’s the surprise here? Hasn’t that always been the way indie films have been? Kent Nichols, of Ask a Ninja fame, certainly thinks so, and states in his blog that the next generation of creators and stars will emerge from Youtube and other online venues. The Observer also has an interesting article about how web series have come of age since the early days of LonelyGirl15.
Personally, as someone who creates content for a living I don’t even think it’s worth it to create an independent feature film for anything other than as a calling card to showcase your skills. Sure, there’s lots of street cred, but that doesn’t pay the bills. Web series are an ideal platform in which to not only hone your craft but also pre-build an audience, should you ever decided to damn the torpedoes and go the feature route. And unlike the frankly byzantine procedures needed to make content with a studio or (here in Canada) a government agency, all a web series requires is a hosting service and the ability to click “upload.”
An interesting breakdown of the content, people and weirdness of YouTube. Haven’t watched all of it yet, but I hope the lecturer gets into the rank stupidity of most of the commenters.
