Da, Comrade.

Traffic in a developing country is astounding and terrifying in equal measure. I saw this first-hand in Cairo in 2008, when I took a cab ride from Giza to the downtown area. For the first ten minutes, as ramshackle Peugots whizzed within an inch of my ride, I was a white-knuckled mess, cringing as every vehicle scraped by at top speed.

But at minute 11, my body just gave up. I involuntarily relaxed and numbly took in the spectacle in front of me, because I had no choice. I wish my brain would do that right now.

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Well, this sucks (2016 edition)

Originally I had a half-formed blog post looking back at election night. I picked away at it and couldn’t quite wrap my head around this disastrous calamity, and frankly I’m still not entirely convinced it’s real (or at leas that’s my waking thought each morning before grim reality sets in). But I figured I had to write something.

It’s been a few weeks, but Trump’s incoming administration is already a contradictory shitshow. I’m starting to think this is the New Abnormal: pointless lurching from policy to policy with no rhyme or reason, and the only theme tying it all together is existential danger.

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Trailer Hate: Deepwater Horizon

America, I get it. You’re hard up for heroes in an election year when your choices are The Nineties: Part 2 and a racist pomegranate. But seriously, these clowns on an oil rig ain’t it.

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An Adventure in UK Space and Linear Time: Part II!

(You can check out Part I here.)

When Steven, Erika and I discovered we had enough money from our Patreon supporters to head over to the UK, one of the first things on our agenda was to film a video to tie into the opening of our (then) upcoming live show at Gallifrey One. Steven spent a productive day at work cooking up the story, the inestimable Simon Harries volunteered to shoot and direct, and I steeled myself for some serious editing time once I’d returned to Canada. But first, the shooting!

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An Adventure in UK Space and Linear Time, Part 1

What have I been up to for the past few months? Quite a bit, actually. In November I went to the UK for the first time, which has been a lifelong ambition. I’ve always wanted to visit New York, Tokyo and London…and now all three can be checked off the list. In fact, I managed to pack New York into my UK trip on the way back…but more of that later.

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Random Trek!

In my continued quest to lower the quality bar at the Incomparable podcast network, I recently appeared on Random Trek, hosted by the lovely Scott McNulty. We discussed “Playing God,” an episode of Deep Space Nine that features, symbionts, rites of passage, fine Ferengi advice, and voles. Give it a listen!

 

 

I appeared on Total Party Kill!

What is Total Party Kill, you ask? Why it’s a Dungeons and Dragons video (and audio) podcast on Jason Snell‘s Incomparable network and this month it’s set in a spoooooky haunted house! Go ahead and watch below!

I done did some standup comedies!

And you can watch the trainwreck of missed opportunity and shame (not to mention vertical filming) here:

The trouble with Star Trek

kirk-khan-shoutStar Trek is sick, and the cure for what ails it isn’t another bombastic brofest.

Allow me to explain. Though I’m best known as a Doctor Who nerd, my first introduction to science fiction in a visual medium was Star Trek. As a six-year old in the mid-70s I was intrigued by the colorful costumes and derring-do of the original series, and I never really lost that interest until the series started hitting the dirt around the mid-point of Voyager.

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Broken Pencil hits 20 years

issue60_coverBroken Pencil has been the most visible guide to alternative culture in Canada for the last 20 years. It’s interesting that it while it came of age in the nascent days of the Internet, when just getting on a computer network required money and some degree of technical savvy, it survived the later proliferation of digital media through sheer bloody-mindedness.

Now, 20 years into its mission, Broken Pencil founder Hal Niedzviecki is the subject of an interview in the Toronto Star about zines, zine-making and the shift back to paper for today’s creatives.

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