Freyburg

Lately I’ve been looking into the web series phenomenon, given my proclivities towards sticking it to the man and/or making cool things with video and computers. Here’s a few good ones to whet your appetite.

First of, here’s the Guild, the gold standard by which all other web series are judged….

and here’s Standard Action, which is filmed right here in Vancouver…

and for something a little less fantasy-oriented, here’s Andy and Chaz Bugger Off to America, a sort of Guy Ritchie meets Entourage tale of two hapless and murderous criminals from the UK who cause trouble in LA…

And finally here’s some sci-fi goodness in the form of the Mercury Men. Unfortunately, you can’t watch the series unless you’re in the US or have a proxy, so here’s the trailer.

Got any more favourites? Tell me about them in the comments!

Max Headroom was one of the best television shows of the Eighties. In fact, it’s fair to say that Edison Carter is one of the reasons I got into television, along with Doctor Who director Graeme Harper.

Well, Wired has a tribute to our pixelated forefather, and the article makes the very good point that with the rise of Youtube, video blogging and web series we have all become Max. Everyone is a digital sound-bite, but the difference is we aren’t in thrall to all powerful television networks as portrayed in the show. Instead the internet has made everyone into a network, for good and ill.

According to this article in the New York Times, people are shifting rapidly to less voice, more data on their cell phones. In a few years it seems likely that data use, not minutes will be how your mobile bill gets compiled. Of course in Canada we’ll stay with the old system until it collapses around us. That’s just what we do.

Not as random a collection of words as you’d think at first glance. Scott Rosenberg of Salon fame has a post up on Silicon Alley Insider where he relates the excitement of Big Media over the incoming iPad as parallel to their clueless exuberance over CD-ROMs in the early 90’s. The web showed up soon afterward and the CD-ROM became a historical curiosity.

It turns out that nothing can compete with people connecting with each other around common interests. While the iPad will likely have some of those features, the Big Media hope of creating new walled gardens through apps is likely just that, a hope. Personally I would but a New York TImes or Wired app, provided the price was cheap enough and it took advantage of the platform in ways I couldn’t experience with any other medium. BUt I think there wil likely be quite a few misfires as big media outlets try, and fail, to turn back the clock.

Does that mean the end of the Ipad? I don’t think so. The tablet form factor is advantageous not just for reading media but a host of other applications, including ones we haven’t yet come up with.

Canadian broadcasters have recently have been crying wolf over how little money they make and how we have to support (terrible) local TV. But they’re facing an even bigger foe in the internet, which has progressed to the point where much of the programming they used to enjoy on their television they can now enjoy online.

I have to say that’s been my experience for a few years. I no longer listen to the radio, instead opting for a steady diet of podcasts. And I barely watch ant television anymore. I simply download the best stuff the BBC has to offer, and the rest of my video diet consists of shows people have put together on their own and put on the internet.

And for the most part, I don’t miss TV. But I am a little concerned that as viewers shift online, context and production quality will suffer. I once worked with someone who had poured their heart and soul into making the slickest possible tv show, and after years of success they saw their core audience migrating to internet shows that didn’t look anywhere near as good and were, in all fairness, not as well put together as his show. I pride myself on making video content for the web that looks as good as tv. BUt I sometimes worry that my effort is for nothing, that people’s tastes have changed to the point where they’ll watch any old crap and production value will mean nothing to them.

Right now the industry is in flux, with money leaking out of TV but not enough money going online to sustain producers. Eventually the money will shift online, but I hope that in the meantime quality content doesn’t get lost in the shuffle.

The FCC will introduce a national broadband plan tomorrow to Congress that puts the internet front and centre as the most important medium in the United States. While broadcasters will hate it, I say it’s a long-needed move. The internet has usurped so many other industries in a path of creative destruction that should be further encouraged. Power is sapping from big broadcasters to tiny producers, in media and otherwise, and I’m glad the FCC recognizes this fact. If only Canada would do the same.

Nepal is one of the poorest and least connected nations in the world, but that doesn’t mean there aren’t many Nepalese geeks looking to stake a claim on the web and better themselves and their families. Boing Boing went to Nepal’s biggest tech fair and documented the goings-on in a fascinating photo essay.

Author and all-around smart guy has just put up a great post about the future of smartphones and the mobile internet. What he says shouldn’t surprise anyone; the mobile telcos will eventually be reduced to dumb pipes, including voice apps, and eventually Google will move in and push prices to the floor while spreading access far and wide. Of course Canadians will have to wait another decade or so after Stross’s posited date of 2019, given that our mobile telephony space is at best pathetic and at worst hopelessly corrupt.

A number of big Hollywood stars have released big Hollywood films this summer which have taken big Hollywood nosedives. This downturn in the drawing power of many A-List stars is starting to worry the movie studios, and as usual they’re blaming technology. Apparently the fact that someone can text, Twitter or email their friends and give a film a scathing review in real time is a bad thing. Of course, as Gawker points out, if the movies themselves were any good this wouldn’t be a problem. I just saw District 9 on the weekend and (like everyone else) who saw it, I’ve raved up and down about the action, effects, and great story. And there’s not a star to be found in that film (which was shot for $35 million, and delivers every cent.)

Then there’s the fact that the old saw about people “escaping through movies during tough times” just doesn’t hold water anymore. That may have been true in the Thirties or even the Seventies, when the alternatives were few and far between, but nowadays people can either play video games, watch Youtube, or find any other number of free alternatives on the internet. Sure, they may not be quite as shiny as Hollywood product, but they also don’t take away $15 from your wallet and steal two hours of your life away.

According to a new article in Silicon Valley Insider, cable is starting to feel the pinch from online video, and no wonder. With old technology, no way to get a la carte programming, and a disdain for the customer that borders on the pathological, I’m not surprised cable is hurting.

Anecdotally I’ve talked to many friends who have dropped cable for online, some of them going so far as to get rid of their televisions. I keep my TV around as a video game monitor, but it doesn’t do much past that. And with the advent of iPhone apps like Al Jazeera English, it won’t be long before I pick and choose the channels I want (in my case, mostly news) and carry them around in my pocket.

Of course, Canada is even more of a monopoly than the United States, and to date we haven’t had anything as disruptive as Hulu arrive on the scene (though it’s likely on the way.) And our cable and TV execs are if anything in more denial than their US counterparts; when I was at the Banff TV Festival a few months ago one exec said with a straight face that “We’ll be just fine, we have HD!” Yes, never mind that all it takes is a clever bit of math and the web will soon have as good or better quality video than HDTV, you just wallow in your comfortable lies, TV exec.

Long term, I think the television industry as it stands is doomed. Eventually everything will come to our televisions, computers and other devices through the internet, and those who can adapt to that new reality will survive. Those that can’t…won’t.