When I first saw the video features on the iPhone 3GS, I was at best mildly interested. I already have a Flip Cam, and with a year or more left on my iPhone 3G contract, I wasn’t about to go out and score a new phone. But Hand Held Hollywood almost makes me want to go out and get a 3GS, just to pull off what these guys are doing. The blog posts periodic updates about all the different apps available for the iPhone to make the lives of filmmakers easier, and it not only looks great but is pretty damn informative about some of the great production tools available via the iPhone.
In fact, this blog makes me want to dig out the Flip Cam and start doing some quick and dirty Freyburg-centric content soon, given enough time. Maybe our upcoming trip to Japan and China will be fodder for some vlogging.
Because movies tell stories, and 3D is at best a sideshow, according to Cory Doctorow in his latest Guardian column. I’m inclined to agree. 3D is touted as cinema’s saviour, bringing audiences back to the theatre and away from video games and home theatres….but without a story to back it up, which is usually best told in regular 2D, you aren’t going to see people sticking around. James Cameron’s Avatar and other upcoming films may prove me wrong, but I doubt it.
A number of big Hollywood stars have released big Hollywood films this summer which have taken big Hollywood nosedives. This downturn in the drawing power of many A-List stars is starting to worry the movie studios, and as usual they’re blaming technology. Apparently the fact that someone can text, Twitter or email their friends and give a film a scathing review in real time is a bad thing. Of course, as Gawker points out, if the movies themselves were any good this wouldn’t be a problem. I just saw District 9 on the weekend and (like everyone else) who saw it, I’ve raved up and down about the action, effects, and great story. And there’s not a star to be found in that film (which was shot for $35 million, and delivers every cent.)
Then there’s the fact that the old saw about people “escaping through movies during tough times” just doesn’t hold water anymore. That may have been true in the Thirties or even the Seventies, when the alternatives were few and far between, but nowadays people can either play video games, watch Youtube, or find any other number of free alternatives on the internet. Sure, they may not be quite as shiny as Hollywood product, but they also don’t take away $15 from your wallet and steal two hours of your life away.
Not strictly Doctor Who this week, but a cool interview all the same. The local chapter of SIGGRAPH (a group of computer graphics geniuses) brought Industrial Light and Magic special effects legend Dennis Muren to Vancouver, and Warren was able to interview him. Apologies for the dodgy audio during Warren’s questions….the details are too boring to go into, but at any rate Muren’s thoughts on visual effects, art and the motion picture industry are the good stuff.
Here’s the second video from out trip to Egypt. Camels in trucks, ancient monuments, and a felluca ride. Go here (and head to the lower right for the link) to get the HD version.
So Mel and I went to Egypt this Christmas, and I finally found the time to put together some highlights from the first part of our trip. In this video you’ll see downtown Cairo, the Coptic area (home to some of the oldest Christian churches in the city and the oldest synagogue in Egypt) and, of course, the Pyramids. I shot the video on my Canon HV20 and graded it with Magic Bullet Looks, which was well worth my hard earned cash. Head to the Vimeo page and go to the lower right hand side to download the HD version of this video.
Twitter, for those not in the know, is a “micro-blogging” platform that lets you jot off quick notes in 140 characters or less. At first I was in the same boat as most, not “getting it,” but soon I found that if I dashed off quick notes about whatever struck my fancy, I soon developed followers based on those topics. Besides the digerati I already know here in Vancouver, I’ve also built up a small community of fellow videographers, and we spend a lot of our time firing advice back and forth. It’s also a great way to interact with the small and highly-connected audience of my podcast.
At any rate, New York Magazine has a feature on the guys behind Twitter, who are neither in New York nor making any money with their service. But it’s still an interesting peek into the world of a hot start-up.
Vimeo, my new video host of choice, is presenting a new web series called Filmfellas, a “Dinner for Five” type show featuring four filmmakers engaging in badinage about process, web vs. TV and film and the changing media landscape. One of the regulars is Philip Bloom, who puts out some amazing looking short films using only a lens adapter and a Sony EX1 (a camera I’ve played with and mostly like). Based on what I’ve seen so far, I’ll definitely be a regular viewer. You can see the first episode below.
