It’s not often that the Three Who Rule spend more than a minute dismissing Torchwood out of hand, much less being interested in a new series of everyone’s tolerated younger, ganglier cousin to Doctor Who. But that strange event is precisely what happened (explained away with string theory and many a complicated equation, most likely), along with some pre Comic Con banter and oh yes, a commentary on The Empty Child.
One of the worst things about Youtube is the sheer volume of “tribute” videos and other such poorly edited codswallop that gets in the way of searching for a clip of, say, Doctor Who. But amongst the junk there are a few gems, including this mashup of the interminable flight sequences from “Time Flight” with James Bond and the Death Star (amongst other wackiness):
Then there’s this bit of remixery which makes a complete hash of the Five Doctors in brilliant fashion:
Joi Ito, who was recently named as the head of Creative Commons and with whom I once had the pleasure of drinking a few beers with, recently explained from Cannes how the world of Creative Commons and the traditional media are at odds, and how “big media” misses the point that user generated content is all about authenticity and connections between people. Watch his impromptu talk below:
M dot Strange made a really weird animated film called “We Are the Strange” which, frankly, I didn’t much care for. But enough people dug the film that he was able to completely bypass Hollywood and sell DVDs of his film online thanks to a substantial presence on YouTube, and at a recent conference in Berlin he explained his experiences and what he’s learned about the Internet and the film industry.
Electro group Justice created an awesome video that consists of nothing but faux 70’s and 80’s production company logos comprised of the lyrics of the song. Eye-poppingly cool.
The Justice League catapults back to the Victorian Age, in action figure form. What’s not to like? It’s pretty much nerdvana. (courtesy of this post at Boing Boing)
Radiohead recently gave away their latest album, “In Rainbows,” online with the caveat that listeners could donate whatever they found appropriate. The NY Times examines both the band’s decision and the larger trend of musicians splitting off from their labels and going out on their own.