Freyburg

Ok, these cats are pretty danged geeky, but how can you not like the enthused do-goodery of Shadow Hare? (Plus the cop cracking up at the 1:30 mark is pretty priceless).

As a preamble, let me just say that I’m a massive fan of the graphic novel by Alan Moore and Dave Gibbons. I picked up the original 12 comic run when it first arrived in comic book stores in 1986, and it (along with Frank Miller’s the Dark Knight Returns) blew my 15 year old mind.

Of course Hollywood being the avaricious creature it is, plans were soon put in place to make Watchmen into a film, but if ever the source material for a movie could be deemed “unfilmable”, Watchmen was it. The plot jumps back and forth over forty years of history, the supposed superheroes are at best washed-up and at worst psychopaths, the story delves into philosophy, human nature, politics and serves it up with dollops of sex and violence. Oh, and one of the main characters is a detached Superman who sees time differently than mankind and walks around with his (blue) dink hanging out.

Miraculously, Zack Snyder has taken all of those unfilmable elements and made a stunning bit of cinema. Snyder stuck very closely to the source material (even setting the film in 1985, as per the comic), and it’s paid off in spades. Watchmen’s alternate universe (explained brilliantly in an opening-credits montage that tours the audience through decades of could-have-been 20th century events) is a feast for the eyes. Add to that standout performances by Billy Crudup as Dr. Manhattan and especially Jackie Earl Haley as Rorschach, and Watchmen does not disappoint. I have a few minor quibbles, like the presence of Ozymandias’s cat Bubastis (which makes sense in the comic but seems out of place in the film), but my tiny complaints pale in comparison to standout sequences like Dr. Manhattan recalling his life on Mars, or Rorschach revealing just what drove him over the edge from grim vigilante to full-bore lunatic.

Opinion on the film seems to be split; geeks love it, and critics scratch their heads, admire the pretty pictures, and go back to worrying about their increasingly irrelevant jobs and worshipping French art films. I think we know where I land on this debate.

See Watchmen. Revel in its geeky fidelity to the original comic, but enjoy it on its own terms as a bold, visually stunning, thought provoking superhero film of the kind you never thought Hollywood could make. I plan to see it at least once more in the theatre.

The reaction to Watchmen has been mixed amongst those who have seen the film, with a sharp division between geeks expressing adoration and film critics giving it a “glossy but meh.” But now Roger Ebert, who is about the only film critic I have any respect for, has given the film four stars (or “thumbs up”, for those of you who miss At the Movies.) I was a little worried that the story I’ve waited more than 20 years to see on the big screen would be a visually arresting failure, but Ebert’s endorsement is reassuring. I’ll know tomorrow, when I finally get a chance to see the film.

Pia Guerra is widely known as the artist behind the award winning “Y: The Last Man” comic series. But she’s also the artist on “Doctor Who – The Forgotten“, a new series starring everyone’s favorite Time Lord (in multiple incarnations). Oh yes, and a devoted Whovian. Radio Free Skaro’s Warren Frey visited Pia in her Vancouver studio and got a peek at the creative process behind the comic (and her truly daunting collection of Who figures.)

Radio Free Skaro Presents: An interview with Pia Guerra from Warren Frey on Vimeo.

So I’ve been busy for the past couple of months with my day job, working as a writer and editor for EP Daily, the new, daily version of the long-beloved Electric Playground.Basically, I get to make stories about video games, sci-fi movies and TV, and comics, all of which makes me extremely happy. Here’s a taste of the show, which you can see on G4TechTV…

…and pretty much spent. This was my first time at the San Diego Comic Con, and I have to say it was something of an experience. Over 100,000 people, most of them in costume, hit the San Diego Convention Center every year, and both Hollywood and the comics and games industries show off their latest wares at what has become possibly the most important entertainment event of the year.

I spent most of my time lugging a tripod (I have the bruises on my arms to prove it), coordinating our three crews, and conducting interviews. Amongst the people I got to interview were Dave Gibbons, the artist responsible for the Watchmen, Walking Dead writer Robert Kirkman, the people behind the Spectacular Spider Man cartoon, Dana Snyder (the guy who plays Master Shake on ATHF), the cast of Eureka, and Tori Amos. I also coordinated us interviewing the cast of BSG, which was pretty cool.

Myself and my buddy Rich (cameraman for our unit) only had 20 minutes in the whole con to hit the floor and buy anything for ourselves, but I managed to snag a bunch of graphic novels, a “Con exclusive” Domo-Kun for Mel, another “Con exclusive” (say it with a nerdy sniff in your voice) action figure pack of the 10th and 5th Doctors, and this sweet-ass shirt:

All in all, a fine four days.

Yes, you read that right, my latest article at Mac | Life is all about the Apple products the Dark Knight needs to strap to his belt in order to better fight crime. And speaking of comics-related matters, San Diego Comic Con is a huge, crazy festival of nerdosity the likes I’ve never seen. And I’ve seen a lot of nerdosity in my time.  

I walked into Dark Knight expecting a decent Batman film, but I walked out amazed. All through the film I was asking myself “is a superhero movie this good? Really?” Let’s start with the best thing about the movie, the late Heath Ledger’s performance as the Joker. Ledger’s villain is all menace, venom and insanity, and he owns the role in a way that makes you look at Jack Nicholson’s take on the Joker and wince. That’s not to say Christian Bale, Aaron Eckhart, Michael Caine and Morgan Freeman don’t all step up to the plate, because there isn’t a bad performance in this movie. And they’re all helped by an amazing script, that takes the usual superhero good vs. evil tropes and turn them on their head. It’s the writing, the acting and the staging that make this movie a masterpiece of the genre and easily the best film of the year. Highly recommended.

Check it out before it gets pulled. I like everything about it except for the Smashing Pumpkins tune and the “300″ style dark color correction…but it looks remarkably faithful to the book and thus is deemed geekgasmic.

UPDATE: Here’s the trailer, and for a glorious HD version, head to Quicktime….

The Justice League catapults back to the Victorian Age, in action figure form. What’s not to like? It’s pretty much nerdvana. (courtesy of this post at Boing Boing)