Freyburg

Not so long ago, it was an accepted truism that “no-one wants to watch TV on their computer.” But the profusion of streaming video, podcasts and web series has changed attitudes dramatically in the last couple of years. According to a recent article in the New York Times, more and more people are getting rid of their television and watching their programs online.

To me, this move makes sense. Online gives viewers more options in more locations, and with a wider choice of programs, not all of which are the product of Hollywood. A reasonable analogy would be the trend away from land-lines towards using mobile phones exclusively. There will also be room for living-room content; I for one still have my television, though it’s rapidly becoming more of a peripheral for my Xbox and a dvd-playback device than anything I’d watch actual TV programs on. Especially now that Ive discovered Livestation, which streams BBC World News, Al Jazeera and many other news channels right to my computer.

Here’s the demo reel for my video production company, Freyburg Media. Just a sampler of the stuff I’ve worked on and the skills I can bring to a corporate video, podcast, or broadcast television segment.

Freyburg Media 2008 Demo Reel from Warren Frey on Vimeo.

The NFB is branching out from Hinterland Who’s Who (actually, I have no idea if they have anything to do with HWW, I just love the music at the beginning of the mini-films) and other cold Canadian fare to present RIP: A Remix Manifesto. It looks like an interesting take on the copyright battle, though unfortunately there’s no way (as of yet) to view the whole film online. Here’s the trailer…

Rather than give you a ham-handed attempt at an explanation, I’ll let these notable personages take a crack at it..

and you can get much more information at the Creative Commons website.

Ouch. Not pretty, and it has a ring of snarky truth about it. Not that Gawker’s ever been known for sunshine and lollipops, mind you.

RED, the company created by Oakley founder Jim Hannard, has sent the SCARLET back to the woodshed. Why? Apparently the emergence of DSLR cameras like the Nikon D90 and the Canon 5D MkII that can shoot in HD (though in the case of the 5D, at the indie-unfriendly frame rate of 30p) has forced RED to rethink what they’re trying to accomplish in the prosumer video space.

Honestly, it’s about time all camera manufacturers took a step back and figured out how to merge SLR and HD video in a package that serves both filmmakers and photographers. There’s no reason, with the emergence of fast and plentiful hard drive space, huge memory cards for on-camera storage, and lens adapters that already graft SLR lenses onto HD camcorders, that a new class of camera shouldn’t emerge that doesn’t follow the old paradigms of tape-based shooting. The 5D and D90 are an important first step, and RED’s backtracking looks to be the next step in a saga that I’ll be very interested to see come to fruition.

After checking out the english version of Al Jazeera has some decent viewing in the form of podcasts of its more popular shows, like Listening Post and Riz Khan. I’ve noticed that a bunch of the on-air talent are former BBC (and other British media) staffers, and their programming is generally as thorough as the Beeb’s better news shows (and of course way better than most American news programs.) Worth checking out, fellow news addicts.

Witness this disaster:

Apparently, not only is Obama just a flash in the pan, but the voting public are stupid and easily swayed by celebrity. Which may very well be true, but McCain isn’t going to get any votes by rubbing that fact in their faces. All this ad does is reinforce how out of touch, old, and unconnected to regular everyday society McCain is. The guy doesn’t even know how to use a computer, for crissakes!

…and pretty much spent. This was my first time at the San Diego Comic Con, and I have to say it was something of an experience. Over 100,000 people, most of them in costume, hit the San Diego Convention Center every year, and both Hollywood and the comics and games industries show off their latest wares at what has become possibly the most important entertainment event of the year.

I spent most of my time lugging a tripod (I have the bruises on my arms to prove it), coordinating our three crews, and conducting interviews. Amongst the people I got to interview were Dave Gibbons, the artist responsible for the Watchmen, Walking Dead writer Robert Kirkman, the people behind the Spectacular Spider Man cartoon, Dana Snyder (the guy who plays Master Shake on ATHF), the cast of Eureka, and Tori Amos. I also coordinated us interviewing the cast of BSG, which was pretty cool.

Myself and my buddy Rich (cameraman for our unit) only had 20 minutes in the whole con to hit the floor and buy anything for ourselves, but I managed to snag a bunch of graphic novels, a “Con exclusive” Domo-Kun for Mel, another “Con exclusive” (say it with a nerdy sniff in your voice) action figure pack of the 10th and 5th Doctors, and this sweet-ass shirt:

All in all, a fine four days.

Here’s some video from the House of Parliament where Jim Prentice, the Minister of Industry and the main force behind the pending copyright atrocity known as Bill C61 gets smacked a good one.

And here’s a link to an interview from Search Engine, CBC’s internet culture show, where Prentice fails to defend C61 and hangs up on the host.

By the way, Search Engine will not be back in September. As usual, the CBC has produced something of value and decided not to do anything with it. Clap clap…clap. Here’s some reaction from blogs and the Globe and Mail.